“Ninety percent of everything is crud.” – Theodore Sturgeon
Greetings and welcome to another installment of The Ten Percent, a space where Ensley F. Guffey and I take a look at the inverse of Sturgeon’s Law; in other words, the small portion of everything which is not crud. Viewed as a whole, Sturgeon was, sadly, right – the vast majority of movies, television, writing, art, and so on really is crud – but there has always been that slim slice of sublime. The Ten Percent isn’t limited by genre – I think our previous columns have proven that point – and that’s because these rare gems are high quality productions which demand more of their viewer than simple passive reception.
This column is a little different, since the focus is not going to be on a single item, but rather on a service that I urge you – yes, YOU – to take nigh-immediate advantage of. Fathom Events is a content provider owned by the AMC and Regal movie theater chains which is devoted to using satellite feeds to bring extremely-limited screenings (one-night stands, usually) to theaters across the United States. The choices offered through Fathom range dramatically – I’ve seen Rifftrax screenings of extraordinarily bad movies and short films, as well as true classics like Casablanca, since Fathom and Turner Classic Movies have teamed up to get cinematic gems back on the silver screen. And let me tell you – it’s completely different from seeing these movies in the comfort of your own living room. When Ingrid Bergman is twenty feet tall, you understand what all the fuss is about – that woman is so luminous she fairly glows. Fathom also has an arrangement with the Metropolitan Opera in New York to broadcast encore shows this summer – and trust me, if you have never seen an opera, it’s not stuffy and dull as you might have been told. Opera is blood-and-guts, passion-and-revenge writ extra-large when it’s simply on stage – put that on the big silver screen and WOW!
What makes a Fathom event special is also the audience – when Ensley and I last went to Casablanca, there was one gentleman wearing a white dinner jacket, as if he had just come from Rick’s. (I suspect he had letters of transit tucked safely in the inner pocket of his jacket.) You’re part of a crowd who loves movies and who had to do some planning to get there. It’s congenial, fun, and joyous.
For us, the closest theaters that are part of Fathom event screenings are about an hour’s drive away, so we make a “date night” out of it. Tickets are a few dollars more (only a few) than a usual night showing of a movie and you’ll have tales to tell.
Fathom isn’t limited to the high-brow. (Seriously – Fast Times at Ridgemont High is scheduled for the end of July. Oh, Spicoli!) They include sporting events, inspirational documentaries (one devoted to Steve McQueen’s search for meaning is on the schedule for September!), and anime. (Really, you should check out Studio Ghibli Fest – Kiki’s Delivery Service is scheduled for this month.) There’s even a chance for you to score a foam shark hat if you go see Shark Week on the big screen! Or, if you prefer the fine arts, Fathom has you covered with broadcasts of the upcoming Bolshoi Ballet season as well as the new production of Kushner’s Angels in America being staged by London’s National Theatre. Or why not give the color and energy of Bollywood a try?
And don’t forget that later this year, it’s The Princess Bride which you know you need to go to.
Make plans – you won’t regret it!
Ensley F. Guffey and K. Dale Koontz are co-authors of Wanna Cook? The Complete, Unofficial Companion to Breaking Bad, and of the forthcoming Dreams Given Form: The Unofficial Companion to the Babylon 5 Universe (September 2017). You can find Dale online at her blog unfetteredbrilliance.blogspot.com and on Twitter as @KDaleKoontz. Ensley hangs out at solomonmaos.com and on Twitter as @EnsleyFGuffey.
Filed under: Film, K. Dale Koontz, The Ten Percent Tagged: angels in america, bollywood, bolshoi ballet, casablanca, ensley f. guffey, fast times at ridgemont high, fathom events, metropolitan opera, rifftrax, Shark Week, steve mcqueen, Studio Ghibli, tcm, the princess bride, The Ten Percent, theodore sturgeon